Offset is still the right answer when the run grows and the colour has to be identical from the first sheet to the last. Digital covers what offset cannot justify: short runs, proofs, versions. We have both in house, and the choice is made by the job, not by what happens to be cheap for us.
Hardback and paperback books, monographs, catalogues, magazines, children's series. Section-sewn binding where the book has to open flat and last for years; perfect binding for lighter work.
Covers with hot foil, blind embossing and film lamination. Papers that do not yellow — paper choice is the decision you feel ten years later, not in the first week.
Leaflets, brochures, corporate magazines, calendars, promotional material, forms. For long runs with variable data we combine offset for the fixed part with digital for the part that changes.
Digital makes possible what offset cannot justify: twenty folders for one event, fifty notepads, sixty stickers.
For direct mail we print with variable data — the name, the address, the code or the offer change from copy to copy while the rest stays the same. A personalised mailing gets read; a generic one gets binned.
A catalogue reprinted six months later has to come out in the same colours as the first. That is not luck — it is colour management and a documented process, and it is why we hold ISO 9001.
What it is: catalogue, book, magazine, leaflet. Page count. Format. Paper, if you have decided. Binding. Quantity. Whether artwork is ready, and in what format.
There is no minimum order — we quote for one piece as readily as for a million, and you decide whether it works for you.